Home

PRJ Sokolich

New Music 2024

Music Theory and Composition

Composition and Variation Techniques

Ancient Sumerians and Ancient Babylonians

Tuned with Intervals of 4ths and 5ths

to expand Pitch Range

with additions

of more of the same Octave Scale

in the development of a full Music Scale,

a full Music Scale for Music Modes,

as did the Ancient Greeks after!

...my New Music

Custom Tunings, Custom Tuning Systems

of -/ for Music Scales -/ New Music Scale-/s,

for Sequences of Music Scales,

Music Scales -/ Music Modes

of -/ over the Pitch Range

of the musical Instrument-/s,

New Music Scales,

consecutive Music Scales, New Music Scales,

multiple Music Scales one after another

for musical Instrument-/s,

musical Instruments

and multiple musical Instruments

as Orchestral Instruments

of the whole audible Pitch Range,

100% Proportion

of all of the Pitches and Octaves

for Music Scale-/s -/ Music Mode-/s,

for all of the Increments

of 100% of Scale-/s -/ Mode-/s,

for New Chords -/ Chord forms,

my New Music Scale-/s -/ Mode-/s

of my 12-Tone divisions

for my New Numbers for my New Intervals

my New Music Proportion/s

for my New Increments of Scale-/s,

as of my New Music Exact Temperament

Tuning A = 384

Average -/ Aggregate Tuning-/s

for Pitch frequencies,

New Average -/ Aggregate Tuning-/s

my New Music Scale-/s

with same -/ multiple Chord Tones/Pitches

of the Chords, Chord forms

in all of the Octaves,

as for my New Music

Scale Run-/s -/ Glissando-/s -/ Arpeggio-/s

of Chord-/s -/ Chord form-/s

Chord-/s of Chord Progression-/s

Scale-/s -/ Mode-/s -/ Melody -/ Melodies

with added Tones of Chord-/s -/ Chord forms

Harmony -/ Harmonies

up to- and including

Scale Run-/s -/ Glissando-/s -/ Arpeggio-/s

as fast as Flutters

Tones -/ Pitches of the Chord-/s

Chord form-/s

between the Octaves

as the Tones/Pitches of -/ for

my New Music Chord-/s -/ Chord form-/s,

my New Music Progression-/s -/ Sequence-/s

of the Chord-/s -/ Chord form-/s,

New Music Compositions -/ Variations,

with 100% Programmable, Controllable

Music Keyboard Workstations

and Virtual Studio Technology,

to say the least!

...always, with Permission when necessary!

..."Good Luck"!

...my New Music

Theory and Composition

Composition and Variation Techniques

Tune

Tuning-/s

Custom Tuning-/s

Tuning System-/s

Temperament-/s,

as for -/ from Aggregate / Aggregate Pitch

frequencies

of -/ to-/ for -/ from

Equal Temperament,

for -/ from my Exact Temperament Tuning

A = 384,

for Music Composition-/s,

as for Mood-/s -/ Mode-/s

Scene-/s

Composer-/s Tone-/s

Mood-/s -/ Mode-/s

of -/ from Subject-/s

of -/ from Music Composer-/s

Music Composition-/s

Setting-/s,

as Place Setting-/s

Scene-/s

Memory -/ Memories

of the Subject-/s -/ Scene-/s

of Music Composition-/s,

of -/ from Subject-/s of Music Composition-/s

Memory -/ Memories

of the Subject-/s -/ Scene-/s

of the Music Composition-/s

of -/ from

Music Composition-/s -/ Music Composer-/s!

...my New Music

Theory and Composition

Composition and Variation Techniques

Tune -/ Tuning-/s -/ Custom Tuning-/s

Tuning System-/s

Temperament-/s

for Proportion-/s

of the Scale-/s over the Pitch Range-/s

of musical Voice-/s -/ Instrument-/s

Scale-/s over the whole Pitch Range,

the Pitch Compass,

of -/ for all of the number-/s of increments

of Scale-/s -/ New Music Scale-/s,

Scale-/s -/ Measure-/s

Music Scale-/s

New Music Scale-/s,

Traditional -/ New Music Range/Scale subdivision-/s, increment-/s,

Music, New Music

Scale-/s,

1 increment,

1-increment Scales

of the Pitches of the Pitch frequencies

to Tune Music, New Music Scale-/s -/ Mode-/s

for -/ from all of the various Intervals,

to -/ of -/ for -/ from my New Music Scales

of up to- and beyond 7-Tone Scales

of the same Pitches, the Pitch Classes,

of up to- and beyond 7 complete Octaves,

as of my New Music Scales

with all of the other numbers of the increments with other Proportions -/ Intervals,

as for my New Music arpeggios

of the Tones/Pitches of the Chords

of -/ between the Octaves

for arpeggios

of the Tones/ Pitches of the Chord-/s

of Cadence-/s

Chord Progression-/s,

as of the monochord 256 Tuning

of a single-stringed musical instrument,

the monochord from Pythagoras,

as of the Performance Technique-/s

to Change Pitch-/es,

as of the String-/s,

Wind musical instruments

manufactured, Tuned,

to -/ for -/ from one Pitch frequency,

Performance Technique-/s

for

Viola-/s -/ Violin-/s

Cello-/s

Double Bass-/es

Guitar-/s

for Pitch Changes,

as for the Changes of the Pitches

of the musical Wind instruments,

as of -/ for -/ from

Changes of the Proportion-/s

of the Interval-/s of the Pitches of the Scale-/s,

Pitches, frequencies of the Pitch-/es,

of the Scale-/s,

Pitches of a Scale

of consecutive Scales

2 -/ 3 -/ 4 increments,

up to- and beyond 88 increment-/s,

of -/ for

Music, New Music

Pitches -/ Intervals -/ Chords

of -/ for

the dynamic Articulation-/s

of -/ for

Music, New Music

Pitches -/ Interval-/s

Chord-/s -/ Chord form-/s,

of -/ for

Music, New Music

Scale-/s

Mode-/s

Cadence-/s

Chord Progression-/s

Melody -/ Melodies

Harmony -/ Harmonies

Melody -/ Melodies

of -/ for -/ from

Harmony -/ Harmonies

of -/ for -/ from

Melody -/ Melodies

Music, New Music Mode-/s from Scale-/s

Music, New Music Scale-/s from Mode-/s!

...my New Music

Theory and Composition

Music Composition Techniques

and

Music Composition Variation Techniques

Tuning-/s

Custom Tuning-/s

Pitch Cycle-/s,

of Temperament-/s

for

Arpeggio-/s

of the Pitches/Tones of the Music Scale-/s,

up to- and including the whole Pitch Range

Arpeggio-/s of the Pitches

of the Music Mode-/s,

up to- and including the whole Pitch Range

Arpeggio-/s

of the Tone-/s/Pitches of the Chord-/s,

up to- and including the whole Pitch Range

Arpeggio-/s of the Tone-/s/Pitches

of the Chord form-/s,

up to- and including the whole Pitch Range,

Arpeggio-/s

in -/ between the multiple Scale-/s

up to- and including the whole Pitch Range

Arpeggio-/s

of the Pitch-/es/Tone-/s of Scale-/s,

of the Tone-/s/Pitch-/es

in the combination-/s

of the same Pitches,

of the Pitch Class-/es,

of the multiple Octaves

Arpeggio-/s

of the Tone-/s/Pitch-/es

of the increment-/s of other Scale-/s

of up to- and including the whole Pitch Range

Sequence-/s

Arpeggio-/s of Sequence-/s

of the Arpeggio-/s of the Pitches

of the Chord-/s -/ Chord forms -/ Scale-/s

Music Mode-/s

New Music Mode-/s from New Mood-/s

New Music Mixed Mode-/s,

up to- and including

the whole Pitch Range,

New Music Mixed Modes

for -/ from New Moods at the same Time,

for Music, New Music

Cadence-/s

Chord Progression-/s

Composition-/s

Variation-/s

from -/ of

the Music, New Music Composition-/s

New Music Composition-/s

from -/ of

the Music, New Music Variation-/s

of the Music, New Music Composition-/s,

New Music,

New Music Arpeggio-/s

of New Music Chord-/s

New Music Chord form-/s

New Music Cadence-/s

of -/ between the New Music Scale-/s,

as of -/ between all of the Octave-/s,

of the whole Pitch Range,
within New Music Arpeggio-/s

of the New Music Scale-/s

of up to- and including the whole Pitch Range,

as of -/ between all of the Octaves

of up to- and including the whole Pitch Range!

...my New Music

Theory and Composition

Music Composition

and

Music Composition Variation

Techniques

My New Music Tunings

for

my New Music Compositions

my New Music Composition/s Variations

of the Pizzicatos of the Viola/s,

of the Arpeggio-/s up

of the two Pitches of the interval of the Third,

from lowest Pitch of the lowest Octave

of the Pitch Range

to the highest Pitch of the highest Octave

of the Pitch Range,

as up to- and including

the Pitches of the interval of the Third

in all of the combinations of the Octaves

of the Pitch Range,

Arpeggio-/s of the Scale-/s,

dynamic articulations

for audible Pitches of the Scales of the Scale,

as of the appropriate dynamic articulations

the Average / Aggregate Tunings

Average / Aggregate Tunings

of the Temperaments,

as of the appropriate dynamic articulations

for audible Pitches, of the audible Scales,

of the Average and Aggregate Tunings

for THE Music Scales and Pitch Cycles

Equal Temperament,

my New Music

Average and Aggregate Tunings

Temperaments

New combinations of THE Tunings,

as of -/ for -/ from

THE historical Tunings

musical instrument-/s

Scale-/s

Mode-/s,

Music Modes of -/ for -/ from Moods,

New Mood-/s,

Maintain and Further Tradition

of THE historical Tunings

Average / Aggregate Tunings!

...my New Music

Theory and Composition

New Music Composition Techniques

and

New Music Composition Variation Techniques

New Music Performance Techniques,

New Music Performance Articulations,

New Tone Articulations,

New Tone Articulations

with New Performance Techniques

Material-/s for Plectra

Maintain and Further Tradition,

Plectra of New Material-/s

for

Plectra for all fingers,

for Performance with one hand -/ two hands,

for Arpeggio-/s

New Music Performance Technique-/s

with Plectra on up to all finger tips

for Performance of all of the Chord Tones, Chord Pitches of the Chords

at the same Time,

of -/ for -/ from Harp, Guitar

models,

the Guitar is historically from Harp,

my New Music Compositions

my New Music Variations

of Music, New Music Compositions

my New Music Compositions

of Music, New Music Variations

of Music, New Music Compositions

with my New Music Chord forms,

of the Root, Fundamental, Positions

of the 3-Tone Chords

with Chord Tones/Pitches 3s and 5s,

Thirds and Fifths,

above- AND below the Chord Tones/Pitches

1s, firsts,

of -/ between Octave-/s

other Music, New Music Scale-/s

of the repetitions of Scale-/s of other Interval-/s

for New Music Chord Articulations

New Music Chord Arpeggio-/s

Chord Arpeggio-/s

New Music Chord Arpeggio-/s

within Scale Run-/s

for Arpeggio-/s -/ Flutter-/s

Glissando-s

of the increment-/s of the Scale-/s,

of -/ over up to- and including

the whole Pitch Range,

of the Scale-/s -/ Temperament-/s

within Arpeggio-/s -/ Flutter-/s

Glissando-sof -/ over up to- and including

the whole Pitch Range,

Scale Runs -/ Arpeggio-/s -/ Flutter-/s

Glissando-s

of the Scale Increment-/s

up to- and including the whole Pitch Range

of -/ between Octave-/s

other Scale-/s of other Interval-/s

of up to- and including the whole Pitch Range,

as of -/ for -/ to -/ from

the Tempo-/s of the articulation-/s of Flutter-/s

Glissando-/s,

as of -/ for -/ from my New Music Tuning-/s

my New Music Tuning system-/s

my New Music Temperament-/s

my New Music Cadence-/s

my New Music Chord Progression-/s

my New Music Development

Music Composition Variation Techniques

my New Music Composition Techniques,

New Music Composition Variation Techniques,

of -/ for -/ from

Introduction-/s -/ Modulation-/s

Segue-/s

Movement-/s

Finale-/s,

as of -/ for -/ from my New Music

Chord-/s

Chord form-/s,

Tones/Pitches of -/ between Octave-/s,

to say the least,

with Chord Tones/Pitches 1s, firsts,

of -/ for -/ from

Progression-/s -/ Sequence-/s

of the individual Pitches, Notes

from Music, New Music Scale-/s

Music, New Music Mode-/s

Music, New Music Melody -/ Melodies!

...always, with Permission when necessary!

...my New Music

Theory and Composition

New Music Theory,

New Music Composition,

and

New Music Composition Variation

Techniques

My New Music Exact Temperament Tuning

A = 384,

Awesome for my New Music Proportions

of the Pitches/Tones,

beautiful New Music Chords,

beautiful New Music Chord forms,

for New Music Chord Progressions

from my New Music New Intervals,

from one whole Pitch/Tone

to all of the other combinations

of the Interval-/s of the Scale-/s

of -/ between the Chord Tones/Pitches

of -/ between all of the Octaves

for Musical Instrument-/s

up to- and including

all of the effective Pitch Ranges

of the Musical Voices and Musical Instruments and up to-, including-, and beyond

all of the eight Octaves, complete Octaves,

as of -/ for my New Music New Intervals

as for my New Music Tuning/s,

as for my New Music Tuning-/s

for my New Music New Intervals

as for my New Music Scales,

as of my beautiful New Music New Intervals with 1 and 3 Tones/Pitches

of the 135 Tones/Pitches of the 3 Tone Chords,

of the Intervals of the 3 Tone Chords,

of -/ between the Octaves,

as of my New Music Cadences

Introduction-/s -/ Development-/s -/ Endings
-/

Segue-/s

Composition-/s -/ Variation-/s
-/

New Music Compositions of Variations,

to say the least!

...my New Music

Theory and Composition

New Music Composition Techniques

and

New Music Variation Techniques

My beautiful New Music

Cadence-/s

Introduction-/s -/ Development -/ Ending-/s

Segue-/s

Movement-/s

Compositions -/ Variations

with my New Music

Arpeggio-/s

of my New Music Chord-/s

my New Music Chord form-/s

up to- and including

the Chord Tones/Pitches of the Chord-/s

Chord form-/s

of -/ between Octave-/s,

as for up to- and including

all of the same Pitches in all of the Octaves,

Pitch Classes

as for up to- and including

all of the combination-/s

of all of the Pitches in all of the Octaves,

Pitch Classes,

at the same Time

to -/ from the Increments of Scale-/s

up to- and including the whole Pitch Range

up to- and including

to- and from Music, my New Music Mode-/s

Music, my New Music Melody -/ Melodies

Music, my New Music Harmony -/ Harmonies

for up to- and including

all of the audible Pitch Range

up to- and including

to -/ from Tempo-/s of Flutter-/s,

...always, with Permission when necessary!

as for my New Music Exact Temperament

Tuning A = 384

for my New Music Composition,

my New Music Composition Technique,

my New Music Composition Development

Technique,

my beautiful New Music Compositions

of my Changing -/ Changes

of the interval-/s of my New Music Chord-/s

my New Music Chord form-/s

for my New Music

Progressions -/ Sequence-/s

for my New Music Chord-/s

my New Music Chord form-/s,

of -/ between the Octave-/s,

for my New Music

Chord Progression-/s

Cadence-/s

New Music Composition Modulation-/s

New Music Composition Development

New Music Composition-/s

Section-/s

Segue-/s -/ Movement-/s

Composition-/s

Variation-/s,

as of my New Music Compositions

of my 12-Tone Transpositions

of a Music, my New Music Melody

Music, my New Music Melodies

to -/ from

another Music, New Music Melody

other Music, New Music Melodies,

as to -/ from Music Key Signatures!

...my New Music

Theory and Composition

New Music Composition Techniques,

New Techniques for New Variations

for Music, New Music Compositions,

and

New Music Compositions

from Music, New Music New Variations

Music, New Music Melody -/ Melodies

up to- and including Tempo-/s

as fast as Flutters

up to -/ beyond the Music Note duration-/s

of the Music Note-/s for subdivision-/s

of -/ between the Music Measures,

number-/s of Music Notes

of -/ between Music Measures,

the upper number of Music Time Signature-/s

of -/ for Music Measure-/s

Phrase-/s -/ Section-/s of the Music Measure-/s

classic -/ "Classical" -/ contemporary

Music Rhythm-/s as dynamic Phrasing-/s,

to Maintain and Further Tradition

of Music, New Music Rhythmic figures

as of -/ to -/ from -/ for the same

another

other-/s of,

as for Sequence-/s of,

Music, New Music Rhythmic figure-/s,

as for my New Music Exact Temperament Tuning A = 384

for my Music, New Music

Compositions -/ Variations

of my 12-Tone Transposition/s

to -/ from

another Music, New Music Melody

other Music, New Music Melodies

Sequence-/s of Music, New Music Melodies,

as for Sequence-/s of Music, New Music Melodies

with 12-Tone Transpositions

to -/ from the first Music, New Music Melody

first Sequence-/s of Music Melodies

first Sequence-/s

of the 12-Tone Transposition-/s

of a Music, New Music Melody

Sequence-/s of Music, New Music Melodies

Music, New Music Melodies

at the same exact Time,

Note-against-Note

Harmony,

Harmonization-/s

for Music, New Music Harmony,

...always, with Permission when necessary!

Music, New Music Compositions -/ Variations

with Music, New Music Sequences

of Melodies as fast as Flutters

before -/ during -/ after duration-/s

of the individual Music, New Music Notes

of classic -/ "Classical" -/ contemporary

Rhythmic figure-/s

before -/ during -/ after duration-/s

of the individual Music, New Music Notes

of classic -/ "Classical" -/ contemporary

Rhythmic figure-/s as dynamic Phrasing-/s

of Music Key Signatures

of the Music, New Music Note Sequences

of a Music, New Music Melody

Music, New Music Melodies,

my New Music Compositions -/ Variations

with Music, New Music Melodies,

individual Melodies -/ Sequences of Melodies

for Progressions -/ Sequences of the Pitches

of the Music, New Music Melodies

for Progressions -/ Sequences

of the Music Key Signatures

Music, New Music Measures,

Phrases of Music, New Music Measures,

Sections of Music, New Music Measures,

Segues, Modulations,

Introductions, Development, Endings,

Movements,

and Music, New Music Compositions,

Variations of Music, New Music Compositions,

and Music, New Music Compositions

of Variations of Music, New Music

Compositions,

Melodies within Melodies,

12-Tone Transposition/s

of Melodies of the above

to -/ from one another of the above,

Maintain and Further Tradition

of The Rondeaux, Rounds,

for Music, New Music

Composition Development,

for Music, New Music Compositions

Variations,

of musically appropriate Tempo-/s,

for up to- and including 12-Tone Transpositions

of a Melody -/ Sequence-/s of Melodies

up to- and including the Tempo-/s of Flutter-/s

to Chord, Chord form, Tones/Pitches,

of -/ between the Octaves

other increment-/s of other Music Scale-/s

for Arpeggio-/s

up to- and including the Tempo-/s of Flutter-/s
-/

up to- and including the Arpeggio-/s

of Tempo-/s

to -/ from -/ of the Tempo-/s of Flutter-/s,

up to- and including harmonization-/s of Pitches

for a Harmony -/ Harmonies

up to- and including the Chord-/s,

Chord form-/s,

of a Harmony -/ Harmonies

up to- and including

Cadence-/s

Chord Progression-/s,

for musical accompaniment

Music Composition

Development

up to- and including

Music, New Music Melody -/ Melodies

of the 1, first, Pitches/Tones of Chord-/s,

Chord form-/s,

of harmonization-/s

1, first, Pitches/Tones

of the Chord-/s,

Chord form-/s,

of the Chord-/s of Chord Progression-/s

1, first, Pitches/Tones of Chord-/s,

Chord form-/s,

of a Harmony -/ Harmonies!

...my New Music

Theory and Composition

Beautiful New Music

with my New Music Exact Temperament

Tuning A = 384

for Music, New Music

Progressions -/ Sequences

of the Pitches -/ Intervals -/ Chords

Chord forms

in 12-Tone Transposition/s

of -/ to -/ for -/ from

the first of the Pitches

of -/ to -/ for -/ from

the Progression-/s -/ Sequence-/s

of -/ to -/ for -/ from

the first Pitches

of -/ to -/ for -/ from

the Pitches -/ Intervals -/ Chords

Chord forms

of -/ to -/ for -/ from

Music, New Music Scale-/s

Music, New Music Mode-/s

Music, New Music Chord Arpeggio-/s

Music, New Music Cadence-/s

a Music, New Music Melody

Music, New Music Melodies

a Music, New Music Harmony

Music, New Music Harmonies,

Progressions -/ Sequences

of the individual Music, New Music Notes

of -/ for -/ from

Music, New Music Key Signatures

Music, New Music Scales

within

Music, New Music Scales

Music, New Music Melodies

within

Music, New Music Melodies

Music, New Music Harmonies

within

Music, New Music Harmonies,

Music, New Music

of -/ to -/ for -/ from

up to- and including

Music Measures

Phrases of Music Measures

Sections of Music Measures

Modulations -/ Segues

Introductions -/ Development -/ Endings

Movements

Compositions -/ Variations

of -/ to -/ for -/ from up to- and including

every one- and number of all of the combinations -/ sequences

of -/ to -/ for -/ from

every one- and number of all of the above

at the same Time,

every one of the above

within every other of the above

up to- and including

of -/ to -/ for -/ from

all of the above,

...always, with Permission when necessary!

a Scale arpeggio up, a Glissando -/ Flutter,

from a Pitch, to the same Pitch

one -/ more Octave-/s up,

then a Scale arpeggio one -/more Octave-/s up, a Glissando -/ Flutter,

for every consecutive Pitch of a Music Melody,

then Transpose the Music Melody up

to / from the interval-/s

for a Chord Tone 3, third,

then to a Chord Tone 5, fifth, after,

for a Chord arpeggio up of a 3 Tone Chord,

then Transpose to / from

every consecutive Chord

of a Chord Progression -/ Harmony,

then to Transpose the Chord Progression

Harmony

to / from every consecutive Pitch of a Scale

Music, New Music Mode

Music, New Music Cadence

some other Music Melody

Hook

Phrase -/ Section

Segue

Modulation

Introduction -/ Development -/ Ending

Movement

Music Composition

Music Composition Variation

Music, New Music Composition

of Variation-/s of Music, New Music

Composition-/s,

of -/ for -/ from

Music, New Music Compositions -/ Variations,

New Music Compositions -/ Variations, Instrumentation,

musical Instruments

as appropriate for Music, New Music Cadences

for audible Pitches,

all of the individual Pitches,

from all of the Progressions -/ Sequences

of the individual Pitches

of -/ for -/ from Progressions -/ Sequences

of -/ for -/ from

Music, New Music
Compositions -/ Variations

of -/ for -/ from Music, New Music Compositions

Music, New Music Variations

Music, New Music Compositions

of -/ for -/ from

Music, New Music Variations

of Music, New Music Compositions

of the Pitch of the Scale Increment

for a Music Key Signature

Sequence of Music Key Signatures
within another Music, New Music Key

Signature

within

other Music, New Music Key Signatures!

...my New Music

Theory and Composition

Composition and Variation Techniques

Proportion-/s

of -/ for -/ from duration-/s of Music Note-/s

from Progression-/s -/ Sequence-/s,

of -/ for -/ from the single-Notes

for Tempo-/s -/ length-/s

of Music Measures

Music, New Music Compositions

of the Phrase-/s -/ Section-/s

of the Music Measure-/s

slow Tempo-/s for modulations -/ segues

of the Rhythmic-Dynamic articulation-/s

as subtle, detached Notes

of subtle Crescendos and Decrescendos

of the Music Notes

for slow, soft, smooth dynamic Phrasing-/s

of -/ to -/ for -/ from

Crescendos

-/,

and, for Sequence-/s of -/ to -/ for -/ from

Decrescendos

of -/ to -/ for -/ from

the classic exact Proportions

of classic dynamic articulations

of -/ to -/ for -/ from

the classic dynamic Phrasing

for articulation-/s

classic Decrescendo!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My beautiful New Music,

of Arpeggio-/s of the Music Scale-/s,

of the Pitches of the Pitch Classes,

of -/ to -/ for -/ from

3 Tone Music, New Music Chords

of all of the Music, New Music interval-/s

between the Tones/Pitches of Chords

of all of the Music, New Music Scale-/s,

for Sequences of Music, New Music

Key Signatures,

within another Music, New Music Key Signature

within other Music, New Music Keys,

Key Signatures,

of -/ to -/ for -/ from

my New Music

Orchestrations,

of the appropriate Musical Instruments

and appropriate articulations of the Choristers,

of -/ to -/ for -/ from

my New Music

of the Symphonic Chimes,

Carillon, and Orchestra Bells,

3 Choir articulations of the Choristers,

Strings,

and Pipe Organ

for

my New Music Compositions

of a Melody, and Sequences of Melodies,

of a Chorister, and of the Choristers,

of the increments of a Music Mode,

and of the increments of Music Modes,

in Sequence, as in Sequences,

the consecutive increments of the Mode, Modes,

as the consecutive Music, New Music Keys,

Key Signatures

of the appropriate articulation/s

of the appropriate Stringed Instrument/s

of -/ to -/ for -/ from

all of the above Music, New Music Transposed

to the Chord Tones/Pitches of Chords

for Arpeggios

of -/ to -/ for -/ from

all of the Chords of a Chord Progression,

Sequences of the Chord Progressions,

and all of the Chords of a Harmony,

Sequences of the Harmonies,

for a Sequence, and for Sequences,

of Music, New Music Keys,

Key Signatures,

Music, New Music Cadences

of the Music, New Music Keys,

Key Signatures

of the Sounds of the Carillon,

...always, with Permission when necessary!

New Music Compositions,

Progression-/s -/ Sequence-/s

as -/ of the individual Notes

within other Progressions -/ Sequences

of the individual Notes

as Music, New Music Keys, Key Signatures,

as of Transposition/s of a Melody

of a Chorister or Choristers

to Chord Tones/Pitches one after another,

of a Chord as Cadence

Chord-/s of a Chord Progression -/ Harmony,

during the Performance

of the Arpeggio of the Chord

or Chords of a Chord Progression -/ Harmony,

Note-against-Note,

Performance of the first Melody Note

during the same Time

as a Performance of the consecutive Tones

Pitches

of a Chord -/ Chords

from a Stringed Instrument

for a Cadence -/ Chord Progression -/ Harmony,

during the same Time

as the first Note of a Music Mode

for every consecutive Music Mode Note,

Performance of the Music Mode Notes

with Harpsichord

for a Melody within a Chord Arpeggio,

the lowest Pitch of the Arpeggio

to Transpose the whole Melody

within a Chord Arpeggio

Transposed to every consecutive Note

of a Music Mode

during the same Time as the Performance

of the consecutive Music Mode Notes

with Harpsichord,

the first Note of the Music Mode

Transposed

to Transpose all of the above

to / from all of the consecutive Notes

of a Music Scale,

as of the Music Scale/Tuning

the Music Mode is for, from within,

during / from Performance

during / from every Scale Increment

of the Scale increments

as Sequence of Music, New Music Key Signatures,

during Performance

of the consecutive increments of the Scale

with Pipe Organ!

...my New Music

Theory and Composition

Music Composition Techniques

and

Music Composition Variation Techniques

My New Music Exact Temperament

Tuning A = 384,

New "Classical" Music,

Ornament-/s

Scale Run-/s

Cadence-/s -/ Chord Progression-/s

Harmony -/ Harmonies

Modulation-/s -/ Segue-/s,

Introductions -/ Development -/ Endings,

of -/ to -/ for -/ from

Music Composition Style-/s -/ Genre-/s,

of Chord-/s

with all of the various and varying Pitches

of all of the Interval-/s

of the various -/ varying Pitch Range-/s

between the Pitches of the Chord-/s,

of -/ between every one -/ number of Octaves

of -/ to -/ for -/ from other of the Music Scale-/s

of the Octave as the Octaves

other Music Scale-/s

of other number-/s of Music Scale Increments

other Music Scale Interval-/s

of -/ for -/ over the Pitch Range-/s

with appropriate Articulation-/s,

rhythmic-dynamic Articulation-/s,

of -/ to -/ for -/ from the Increments

of the individual -/ multiple Scale-/s,

of the combination-/s -/ sequence-/s

of the multiple Scales,

as musically appropriate,

as of the Average -/ Aggregate Tunings

of the Pitch frequencies,

of -/ between the Octaves of / for Pitch Range/s

Music Scale-/s of other Increments

Music Scale-/s of other Interval-/s,

for Pitch Range/s,

as from two half-tones

between the Pitches of the Chord-/s

of the Chords of Chord Progression-/s

with Pizzicato Strings,

full Orchestral Strings!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Music Composition Techniques

and

Music Composition Variation Techniques

My New Music Exact Temperament

Tuning A = 384

12-Tone Transpositions

of Chord-/s -/ Chord Form-/s

with Pitches of the Chord-/s -/ Chord form-/s

of -/ between the Octaves

of -/ between Pitch Cycle-/s -/ Scale-/s

of the Average and Aggregate Tuning

for Octaves

of -/ between other Scale-/s

repeated for Pitch Range-/s

for

New Music Chord Progressions

of all of the Interval-/s

between Pitches to compose Chord-/s

Chord form-/s

of Chord Progression-/s

a Harmony -/ Harmonies,

of all of the Progression-/s -/ Sequence-/s

of single Music Notes

as Sequences of Music, New Music Keys,

Key Signatures,

with added Pitches/Tones

to compose Chord-/s -/ Chord form-/s

Chord Progression-/s

a Harmony -/ Harmonies,

New Music

with 12-Tone Transpositions

of the Chord-/s -/ Chord form-/s

Chord Progression-/s

a Harmony -/ Harmonies

of -/ to -/ for -/ from

the consecutive Music Notes

of a Music, New Music Scale

a Music, New Music Scale

for Sequence-/s of Music, New Music Keys,

Key Signatures

Sequence-/s of Music, New Music Scale-/s

Music, New Music Scale-/s

for Sequence-/s of Music, New Music Keys,

Key Signatures

a Music, New Music Mode

for Sequence-/s of Music, New Music Keys,

Key Signatures

Sequence-/s of Music, New Music Mode-/s

for Sequence-/s

of Music, New a Music, New Music Keys,

Key Signatures

Cadence-/s

a Music, New Music Cadence

Music, New Music Cadences

for Sequence-/s

of Music, New Music Keys,

Key Signatures

a Music, New Music Ornament

Music, New Music Ornaments

a Music, New Music Ornament

Music, New Music Ornaments

for Sequence-/s of Sequence-/s

of a Music, New Music Ornament

Sequence-/s of Music, New Music Ornaments

Music, New Music Ornament-/s

for Sequence-/s

of Music, New Music Keys,

Key Signatures

a Music, New Music Hook

Sequence-/s of Music, New Music Hook-/s

a Music, New Music Hook

for Sequence-/s of Music, New Music Keys,

Key Signatures

Sequence-/s of Music, New Music Hook-/s

for Sequence-/s

of Music, New Music Keys,

Key Signatures

a Music, New Music Melody

Sequence-/s of Music, New Music Melodies

a Music, New Music Melody

for Sequence-/s of Music, New Music Keys,

Key Signatures

Sequence-/s of Music, New Music Melodies

for Sequence-/s of Music, New Music Keys,

Key Signatures,

every one -/ number of the above

of appropriate Music, New Music Tempo-/s

for Music, New Music

Progression-/s -/ Sequence-/s

of -/ to -/ for -/ from

one of the above

of -/ to -/ for -/ from

the same -/ other of the above

in every Order

for Music, New Music Compositions

Variations

Introduction-/s -/ Development -/ Ending-/s

Music, New Music Composition-/s

of Music, New Music Variation-/s

of Music, New Music Composition-/s!

My New Music

Theory and Composition

New Music Composition

and

New Music Variation Techniques

My New Music Exact Temperament

Tuning A = 384

for

Beautiful New Music,

classic single-note Music

Progressions -/ Sequences,

as of THE Time Cadence,

of added Tones/Pitches

of the 3 and 5 Tones,

3 Tone Chords,

the 1 Tones Transposed,

and, Transpose all of the notes of the above,

to Tones/Pitches of Chord Progression-/s,

then Transpose all of the music notes above

to all of the consecutive notes of a Music Mode -/

Modes,

as for Sequence-/s of Music Mode-/s,

then Transpose all of the music notes above

to all of the consecutive notes

of the 12-Tone Music Scale,

for all of the Pitch Range/s,

with real full Orchestra-/s

real full Orchestra-/s

real Chorister-/s / Choir-/s

of Virtual Studio Technology,

as of the KORG Triton

separate KORG Tritons

separate KORG Tritons for a layer -/ layers

of Music Orchestra-/s -/ Chorister-/s / Choir-/s!

...always, with Permission when necessary!

New Music

...my New Music

Theory and Composition

My Exact Temperament Tuning A = 384,

for THE Time Cadence,

Changes,

as 3 Tone Chords of a Progression,

Chord Tones 3 and 5 added,

Transposed to Chord Tones 3 and 5,

then, all of the above Transposed up,

to every consecutive increment of a Mode,

Transposed up to the Octave above,

and then, all of the above Transposed up,

through every consecutive increment

of the 12-Tone Scale,

one Octave above,

Bell Chime Changes,

Cadence of the Carillon!

...my New Music

Theory and Composition

My Exact Temperament Tuning A = 384,

THE Chime Cadence as a Progression,

all of the 3 Tones/Pitches of all of the Chords

of the same exact interval

between all of the Tones/Pitches

of all of the Chords,

3-, 4-, and 5 12-Tone Scale Tones!

...my New Music

Theory and Composition

Composition and Variation Techniques

My Exact Temperament Tuning

A = 384

THE Chime Cadence

a set of the Chimes,

another, with added 4 and 9 12-Tone Tones, above,

12-Tone Scale Tones 4 and 9,

12-Tone Scale 149 Chords,

in the Key of C,

the 149 12-Tone Chord Transposed

for Pitches of the Sequence for Chimes,

THE Chime Cadence,

Time Cadence Chime,

THE Horological Cadence!

...my New Music

Theory and Composition

Composition and Variation Techniques

My Chord form 53135,

the Origin of all of the 3 Tone Chord forms,

as of the consecutive -/ nonconsecutive

Octave to Octave Arpeggio-/s up,

as of the 1 or 5 Chord Tones

to -/ from the consecutive increments

Pitches

of the Scale-/s -/ Mode-/s -/ Melody -/ Melodies,

as of the 1 -/ 5 Chord Tones

of appropriate Tempo-/s
up to- and including the Tempo-/s of Flutter-/s

Glissando-/s,

for Sounding of the full Range of Moods

from lowest -/ serious -/ somber to the highest, of the Music Modes,

of the individual consecutive Chord Tones

in / between the consecutive

nonconsecutive

Music Octaves

low -/ lowest to the high -/ highest

Music Octaves of the Pitch Range,

for Expression,

as with Carillon,

for full Expression from, of, with Music,

New Music

of -/ for -/ from Moods!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music

Exact Temperament Tuning A = 384

THE Chime Cadence

12-Tone Chords, all of the Tones/Pitches

of the same exact interval,

for one Octave arpeggio up,

with individual notes of THE Chime

up through the Octaves

with Carillon, with Symphonic Chimes,

and, with Orchestra!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music Exact Temperament A = 384,

for my New Music

up to- and including New Harmonies

of my Highest Harmonies

of the same Pitches of the Octaves,

Pitches of the Pitch Classes,

with my New Music Chords, Chord forms

of the same Pitches -/ Pitches,

with Arpeggios of the Chord forms,

and of my New Music Chord forms,

with Chord interpolations, Passing Tones,

Passing Tones the Tones/Pitches

between Chord Tones/Pitches,

of -/ between the Octaves,

Pitches of the Pitch Classes,

for my New Music Progressions,

and for -/ from my New Music Sequences,

as for my New Music Modulations,

my New Music Variation Technique

for my New Music Variations,

for my Music, New Music Compositions,

of my New Music Compositions,

New Music Variations of Music, New Music

Compositions,

New Music Compositions

with New Music Variations,

New Music Variations with Music, New Music Compositions,

my New Music Compositions,

with my New Music Ornaments,

New Music Cadences,

New Music Metres/Meters

with my New Music Proportions

of the lengths/durations/values of the Notes, Rests,

with my New Music Proportions

of / for my New Music Measures,

Sections of Measures,

Movements,

Compositions

Variations!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music,

My Exact Temperament Tuning A = 384,

My New Music

Pitches

New Music Notes -/ New Music Rests

Music, New Music Cadences

Music, New Music Ornaments

Compositions -/ Variations,

of / for Music, New Music Lead-in Note/s

Music, New Music Metres/Meters

Music, New Music Pitches

Music, New Music Rhythms

Music, New Music Rhythmic figures

Music, New Music Dynamic Phrasings

Music, New Music Measures

Music, New Music Sections

of the Music, New Music Measures

Music, New Music Melodies

Music, New Music figures

of / for Music, New Music Neumes

Music, New Music Passages

of Grace/Ghost Music, New Music Notes

Music, New Music Harmonies

Music, New Music Riffs

Music, New Music Hooks

Music, New Music Themes

Music, New Music Measures for Sections

for Music, New Music Movements

of the Music, New Music Compositions

Music, New Music Compositions

Music, New Music Variations

Music, New Music Compositions

with Music, New Music Variations,

of -/ for my Music, New Music

Compositions -/ Variations

of -/ for -/ from

beautiful Music

of the classic -/ "Classical" -/ contemporary

slow-to-medium Tempo/s

of full Orchestrations -/ Instruments

for -/ from beautiful Music Modulations

Segues

Cadences

of -/ from Tempo-/s

of Glissando-/s -/ Flutter-/s

of -/ for -/ from

12-Tone Transpositions

with interpolations/Passing Tones

to -/ for -/ of

all of the consecutive Pitches

of -/ for -/ from Music, New Music

Scale-/s

Music, New Music Mode-/s

Music, New Music Riffs -/ Hooks -/ Themes

Melodies

Melodies of the 1 Chord Tone Notes

of the Chords of Chord Progressions

Harmonies,

Chord Progressions

Harmonies

from Notes from Sequences

of the individual Music Notes

of -/ for -/ from Music

as the 1 Tones of Chords,

Music, New Music

of -/ for

from, as Variation-/s,

Song-/s,

as of -/ for Music, New Music Compositions

of 100% Music, New Music Ornament-/s

as of the Arpeggiation-/s

Fermata-/s

Modulation-/s

to -/ from the Tempo-/s
of Glissando-/s -/ Flutter-/s,
for -/ from
Introduction-/s -/ Development -/ Ending-/s

for -/ from Music, New Music

Composition-/s -/ Variation-/s,

of my Music, New Music Tuning-/s!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

Metres, Meters,

Measures,

for -/ from Pitch Cycles, Pitch Cycle Rhythms,

Tempos,

Tempos for -/ from Rhythms,

Rhythmic Pulses,

Rhythm, Rhythms,

Rhythmic Pulses

for -/ from

Proportions

AND

Note Lengths/Durations/Values

for -/ from Rhythm-/s, Rhythmic Figures,

Rhythm-/s, Rhythmic Figures

of the low : high -/ short : long Pitches

of the Syllables from Words, Names,

as of the Ancient Greek Poets,

Syllabication,

Rhythms -/ short : long durations

Proportions of -/ for -/ from

short -/ long durations,

short -/ long durations of the Notes

of the Notes

from low -/ high Pitches

of the words -/ Names of -/ for -from Rhythms from Rhythmic Feet and from Rhymes of lines of Verses, and Stanzas of -/ for -/ from Poems, to Maintain and Further Tradition

of the Ancient Greek Poets,

Syllabication,

of -/ for -/ from

classic -/ "Classical" -/ contemporary

Rhythms, Rhythmic Figures

of -/ for -/ from

as Proportion-/s of -/ for -/ from

Note Lengths/Durations/Values, too,

of -/ from Dynamic Phrasing,

Dynamic Phrasings

Dynamic Level-/s -/ Dynamic Range-/s,

as of short / long Notes -/ Rhythmic Figures

for -/ from -/ as Substitution-/s of- for -/ from

high / low Pitches of the Syllables

high / low Syllables of ends of lines of verse-/s

lengths of verse lines -/ verses!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

12-Tone Transposition/s

for Music Composition Forms,

as of the Movements to, to / from, Movements,

within

other Music Composition Forms,

as of the Movements to, to / from, Movements,

as of the Music Composition Forms,

New Music Composition Forms,

to -/ from -/ for -/ of Stanzaic Forms,

as of my New Music

Compositions and Variations,

and New Music Compositions

of New Music Variations,

12-Tone Transposition/s,

A = 384,

to -/ from -/ for -/ of

Music, New Music Scale-/s

within other Music, New Music Scale-/s

Music, New Music Mode-/s

within other Music, New Music Mode-/s

Music, New Music

of Song-/s -/ Verse-/s

within other Music, New Music

of Song-/s -/ Verse-/s

Music, New Music Neumes

within other Music, New Music Neumes

Music, New Music

Arpeggio-/s

Glissando-/s -/ Flutter-/s

within other Music, New Music

Arpeggio-/s

Glissando-/s -/ Flutter-/s

Music, New Music Riff-/s

within other Music, New Music Riff-/s

Music, New Music Hook-/s

within other Music, New Music Hook-/s,

as to -/ from -/ for -/ of

my New Music

with up to- and including

all of the 12-Tone Transpositions

of the above to -/ from every increment

of all of the above

for every one -/ number of the above

to -/ from -/ for -/ of

every one -/ number of the above

12-Tone Transposition/s

to -/ from -/ for -/ of other-/s of the above

of -/ for -/ from every one -/ number

all of the Orders / Sequences of the above,

factorial product,

for Music, New Music

Composition-/s -/ Variation-/s

Music, New Music

Composition-/s of Variation-/s!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

Maintain and Further Music Composition

Development

Introduction-/s -/ Development -/ Ending-/s

as the 12-Tone Transposition/s for Arpeggio-/s

of Scale-/s,

as for Scale Run-/s

Glissando-/s -/ Flutter-/s,

as to -/ from all of the consecutive increments

of the Music Notes of a Melody -/ Melodies

Chord Tones 1 of the Chords -/ Chord forms

of a Harmony -/ Harmonies

of Chord-/s,

Chord-/s Tones/Pitches for Arpeggio-/s

as Grace Note -/ Ghost Note Figures/Passages,

Figures/Passages

of Grace Notes -/ Ghost Notes,

as Formation of -/ for a Thought -/ Thoughts

Reflection of -/ for a Mood,

as introduction of a Theme with Music

musical scene -/ setting

as the musical sound-/s as -/ of other things

to -/ within -/ from a scene -/ setting of a Place

as the incidental music as the sounds

as -/ of other things

to -/ within -/ from a scene -/ setting of a Place,

as of birds -/ bird song,

to say the least

as of -/ for Movement / Motion within a Scene

Setting

for introduction to -/ illustration of a Place,
-/

12-Tone Transposition/s

to -/ from

all of the consecutive increments

of the Music Notes of -/ for a Riff -/ Riffs

Hook -/ Hooks

Musical Theme -/ Musical Themes,

with every one -/ number above

for musical Sequences,

Music Composition

Development!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

Tempo

My New Music Compositions and Variations,

New Music Compositions of Variations, too,

from my New Music Ornaments

of my New Music Tempos for Flutters

of Cadence-/s

Introduction-/s -/ Development -/ Ending-/s

Riff-/s

Hook-/s

Melody -/ Melodies

Harmony -/ Harmonies

Movement-/s

whole Music Composition-/s,

all of the consecutive Notes of all of the above

for -/ from 1 Tones of Chords,

for -/ from a Harmony -/ Harmonies,

with every one, and number, of all of the above

in Sequences,

as of the 12-Tone Transposition/s

to every consecutive Pitch

of every one -/ number of the above,

of Tempo-/s -/ Musical Instrument-/s

for sounding every one -/ number of the above

at the same Time!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

New Music Performance Techniques

Articulations of Rhythm-/s,

and of the Dynamics, too

of -/ to-/from Tempo-/s

of Glissando-/s

to -/ from Tempo-/s of Flutter-/s,

of the Tempo-/s of Strum-/s

Musical Performances of Samples of Music

of the Tempo-/s of Flutter-/s

up to- and including

with no Changes in Pitches,

as with Virtual Studio Technology Samplers,

for 100% audible whole Music Compositions

of the Tempo-/s of Flutter-/s,

for New Music Ornament-/s

New Music Composition-/s -/ Variation-/s

New Music Composition-/s

of Variation-/s,

of 12-Tone Transposition/s,

from Pitch,

as from lowest Pitch

from -/ of a Music Composition

Music Key-/s from -/ of a Music Composition,

for

12-Tone Transposition/s

to -/ from all of the consecutive Music Notes

Music Scale-/s

Music Mode-/s

Riff-/s

Hook-/s

1 Chord Tones of Chord-/s

a Chord Progression

Chord Progressions

a Melody -/ Melodies,

to -/ from a Harmony -/ Harmonies!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

New Music Composition Orchestration

Form

for Instrumental Music,

and,

for Musical accompaniment

Maintain and Further Tradition

of Choral Music

with Harmony -/ Harmonies

1 Chord Tones

of the Chords of a Harmony -/ Harmonies

to -/ for -/ from -/ as a Melody -/ Melodies,

for 3- and 4-part Harmonies, and beyond,

with individual musical instruments,

musical instruments

of the same musical instrument family,

as of the full Orchestral Strings

individual musical instruments

from multiple musical instrument families,

up to- and including

Bass-/es, Guitar-/s, and Keyboard-/s

Tone-/s of Variation-/s

of -/ for musical instruments,

as with audio processor-/s

Tones of Version-/s of musical instruments,

as of the Keyboard Music Workstations

musical instruments

with fully expanded effective Pitch Ranges

up to the fully audible full Pitch Range

Virtual Studio Technology,

of -/ for Song-/s,

a musical instrument for every Chord Tone

of the Chords

Chord Tone-/s of Chord form-/s

of -/ between multiple Octaves

Chord-/s, whole Chord-/s,

of -/ between multiple Octaves

Chord form-/s, whole Chord form-/s,

of -/ between multiple Octaves

of -/ for a Chord Progression

Chord Progressions

a Harmony -/ Harmonies

to -/ from a Melody -/ Melodies,

for New Music Compositions

Variations

New Music Compositions of Variations,

as / for New Music Orchestral -/ Choral Music

as / for New Music Songs!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music Compositions,

Variations,

Compositions of Variations,

Chords

Chord forms,

Chord form, Chord Tone-/s from a Chord

of -/ between Octave-/s,

with samples of the individual Pitches

of / for THE Scale-/s

from real Musicians

with real musical instruments,

THE musical instruments, too,

and the articulations of the individual Pitches of / for Scale-/s

from Choristers / Choirs,

for -/ with multiple articulations, too,

in the Sound Libraries

for Virtual Studio Technology Instrument-/s, too,

for Preset Chords / Preset Chord forms

for -/ with Music Notations / Piano Rolls

for Scale Runs -/ Octave Runs

Progressions of the Chords

Samplers / Drum Machines

of THE Virtual Studio Technology Instruments

for Performances, Productions of Scale Runs

Octave Runs

Chord Progressions

of the Chords / Chord forms

Chords / Chord forms as THE Cadences,

as of full Orchestra blasts

Chorister-/s

for Music accents

Scale Runs

Octave Runs

Chord Progressions,

to -/ from -/ of / for

Music, New Music

with Music Tempo-/s to -/ from -/ of / for

Music, New Music Compositions

Variations

Compositions of Variations

of the Music, New Music

Tempo-/s of Glissando-/s

Flutter-/s!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music

Tunings with my New Music Pitch Cycles

with very, very fast 7 Tone Scale

135 Chord Arpeggios up-down-up,

to say the least,

of Music Notes of the same Duration

Tempo Changes for other Music Note Durations

for other Tunings for New Music Scales

New Music Modes

of -/ for my New Music Compositions

Variations

Compositions of Variations,
of -/ for my New Music Exact Temperament Tuning A = 384, too!

...always, with Permission when necessary!

...my New Music

with Arco Strings!

135 7 Tone Scale Chord Arpeggio in Venue,

Tempo of / for a Pitch Cycle,

Tempo AND Venue

for smoothest Mixes AND Blends

of the Pitches

for Average AND Aggregate frequency Tuning,

appropriate 12-Tone Transposition/s

for Performance, Production

of the I - IV - V Chord Progression!

...my New Music Ideas, above, the Cord Chord,

full Harmonization/s for every Cord,

every Cord is a Chord,
for Performances, Productions of New Music,

with full effect,

fully audible Melodies and Harmonies

at the same Time,
for / from every Cord,

as of / for String Instruments,

full Chord Tone harmonization/s

for every Pitch

of all of the other musical instruments, too,

and from my New Music Idea,

Tempo to Pitch Cycle,

for 7 Tone Scale 135 Chord Arpeggios

as Points on a Curve of a Soundwave,

for a Soundwave,

New Music

Aggregate AND Average frequency Tunings,
for my New Music Performances, Productions

from 1 Tones of Chords of Chord Progressions -/

Harmonies

for the full musical sound

of the Chord Progressions / Harmonies

for New Music Composition Development,

New Music Compositions,

New Music Variations,

and New Music Compositions of Variations

from Melodies

with additions of the Chord Tones 3rd and 5th, 3 and 5,

to say the least,

to all of the consecutive Pitches of the Melodies

as 1 Tones of Chords

for Performances, Productions

of the Chord Progressions / Harmonies,

as for / from 1 Chord Tones of the Chords

of Chord Progressions / Harmonies

for Melodies,

as for / from

many, many of the Chord Progressions

Harmonies

from Music Compositions, and Songs!

...my New Music

Chords of Chords

7 Tone Scale 135 Chord,

of appropriate 12-Tone Transposition/s,

I, IV, and V Chords,

with 135 Chords from every Chord Tone

1, 3, and 5 of every one of the I, IV, and V Chords,

the 1, 3, and 5 Chord Tones as 1 Chord Tones,

Chord, Chords as Transposed

for I, IV, and V Chords,

the I, IV, and V Chords, Arpeggiated,

the 1 Chord Tones, then 3 Chord Tones,

then 5 Chord Tones from 135 Chord Tones

of a 135 Chord in the three Octaves

at the same Time,

in a sequence,

for an Arpeggio

of the Chord Tones as the 135 Chord Tones,

Transposed as I, IV, and V Chords,

the I - IV - V Chord Progression!

...my New Music

Theory and Composition

New Music Tunings

Scale Tunings, Mode Tunings,

Song Tunings

New Music Tuning-/s

with all of the consecutive Pitches

in proportion to -/ in -/ to -/ from

Scale-/s, Music Scale-/s

Mode-/s, Ancient Greek Mode-/s

Song-/s,

Riff-/s -/ Hook-/s -/ Melodies -/ Harmonies

whole Song-/s,

Tuning-/s -/ Tune-/s of -/ for Tune-/s,

as Arpeggios of Tempos of Strumming,

with Strumming, too,

and, with many other Performance Techniques,

too,

as fastest rolls of fingertips,

one immediately after another,

faster than a Flutter,

for Performance Technique, Articulation

of the Pitches

at approximately the exact same Time

on Strings of Musical Instruments,

Bores -/ Keys of Wind Musical Instruments,

Music Keyboard Keys,

for Pitch Cycles,

New Music frequency Tuning-/s,

New Music

Aggregate -/ Aggregate Tuning-/s

Sequence-/s of Music Tuning-/s,

custom Tuning-/s over Pitch Ranges

of the same musical voice-/s

the same musical instrument-/s

the same musical instrument family -/ families

Virtual Studio Technology Instrument-/s,

of -/ for -/ from Pitch Ranges,

as of - for -/ from Bass, Baritone,

Alto,

Mezzo-Soprano,

and Soprano,

of -/ for -/ from Musical Instruments

of -/ for -/ from Musical Voices

of -/ for -/ from Musical Tone,

Tone of a Musical Voice

Tone, for effect, of a Musical Instrument!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music Exact Temperament Tuning

A = 384,

the Intervals for Pitches AND Octaves

of 100% Proportion, Temperament, and Tune

for Music 12-Tone Transposition/s

for Progressions,

Chord Progressions

Sequences,

Note Sequences

Chord Progressions of -/ from Note Sequences

as for Music Harmonies from Melodies,

the consecutive Pitches of the Melodies

for 1 Chord Tones/Pitches

of / for -/ from the Music Chords

of the Music Harmonies -/ Chord Progressions,

Music Melodies

of the 1 Tones/Pitches of the Chords

of the Music Harmonies -/ Chord Progressions

Harmonies

from Melodies with added Chord Tones/Pitches

for Progressions -/ Sequences

for musical voice-/s -/ musical instrument-/s

for / with Music 12-Tone Transposition/s

up to- and including

100% of the audible Pitch Range,

as of Virtual Studio Technology

Instruments,

as of the appropriate 12-Tone Transposition-/s

to / from every Music Key Signature,

the added Music Tones/Pitches

the appropriate 12-Tone Transposition/s

of the Music Melodies

for harmonization of the Melodies

for / from Music Harmonies

Music Chord Progressions

of the Music Composition Development

for -/ from Music Harmonies,

as the I - IV - V Chord Progression

of the 145 Scale Tones/Pitches,

the first, fourth, and fifth Scale Tones/Pitches,

of the Tones/Pitches

of -/ for

every one -/ number of the 7 Tone Scales

of / for 100% of the audible Pitch Range,

for Music, New Music

Compositions -/ Variations

Compositions of Variations!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

A = 384

I - IV - V Chord Progression of Arco Strings

of 12-Tone Octave-to-Octave Arpeggios up,

7 Tone Scale Tones/Pitches 1, 4, and 5,

the modern 7 Tone Scale notation numeration

for

I, IV, and V Tonic, Sub-Dominant, Dominant,

as the I Chord,

Transposed appropriately to IV and V Chords,
the I - IV - V Chord Progression,

of the 7 Tone Scale Tones

of all of the Chords

of the I - IV - V Chord Progression,

1 in the lowest of 3 Octaves,

4 one Octave up,

5 another Octave up!

...always, with Permission when necessary!

...my New Music

A = 384

I-IV-V of 12-Tone Arpeggios, above,

for Arco Strings,

a New Tone Articulation in Venue!

...always, with Permission when necessary!

...my New Music

Compositions -/ Variations

Compositions of Variations

of the Octave-/s-to-Octave-/s, and all other-/s,

Run-/s

Glissando-/s

Strum-/s

Flutter-/s

Pitch Cycle-/s

with Chords,

with up to- and including

all of the consecutive Increments / Intervals

Scale-/s

Mode-/s

Riff-/s

Hook-/s

Cadence-/s

Segue-/s

Introduction-/s -/ Development -/ Ending-/s

Melody -/ Melodies

Harmony -/ Harmonies -/ Chord Progression-/s

Composition-/s -/ Variation-/s

Composition-/s of Variation-/s

Song-/s,

with all of the Increments / Intervals

as the 1 Tones/Pitches of the Chords

1 Tones of Chord-/s -/ Chord form-/s

of a Harmony -/ Harmonies

Chord Progression-/s

as the 1 Tones/Pitches of the Chords!

...always, with Permission when necessary!

...my New Music

The Hourly Chime

with Major Triads, Triad/s,

the same Major Triad, Transposed,

as appropriate!

...my New Music

Theory and Composition

Composition and Variation Techniques

A = 384

As of my New Music above

of The Hourly Chime,

Toccata and Fugue, J. S. Bach,

the Notes as 1 Chord Tones as the 135 Chord

of the 7 Tone Scale/s, Transposed

as appropriate as Chords for harmonization

Harmony

Chord Progression,

with sound of the harmonization sequence

for / from 100% of the sound

of the individual notes,

fully intact,

and fully audible,

the Chords of appropriate nomenclature

of Fundamental, Root, Pitches of the Chords,

1 Chord Tones of Chords,
Transposition/s of Chord, as if Chords,
for harmonization

Harmony

Chord Progression

as 100% support

of the Fundamental, Root, Pitches

of the Chord/s

for

Music Harmonies

of 100% of the Sound of the Melodies!

...my New Music

Theory and Composition

Composition and Variation Techniques

New Music

Compositions

Variations

Compositions of Variations

of the Intervals
for -/ from any one -/ number, below,

of -/ for Proper Proportion-/s

as appropriate for most musical Sound,

for full musical effect-/s:

Music frequencies of / for pitches

Intervals between increment-/s of pitches

Octaves,

for Scale-/s other than the Octave, too

notes -/ rests,

of -/ between notes -/ rests,

of Rhythmic figures -/ dynamic phrasings,

Maintain and Further Tradition

for Articulations with Musical Instruments

Musical Voices,

and for Musical Effect

of dramatic Tempo Changes

of Segues

measures -/ sections

movements

Compositions

Variations

Compositions of Variations!

...always, with Permission when necessary!

...my New Music

Composition and Variation Techniques

Maintain and Further Tradition

of other Music Note Lengths/Durations/Values

Rhythmic figures

of other Music Note Lengths/Durations/Values,

as of Triplets, to say the least

Time Signatures

Proportion-/s of -/ between Notes

Duration-/s immediately after Performance-/s

of Music Note-/s,

of -/ for articulation-/s,

as appropriate for articulation-/s,

New Articulation-/s,

New Variation-/s,

New Interpretation-/s

for -/ from Music

performance-/s -/ writing-/s,

New Music Note Length-/s

Duration-/s/Value-/s

Proportion-/s of -/ between Notes,

and, for -/ from dynamic Rhythmic Phrasing-/s

Rhythmic Phrasing-/s of a Rhythmic figure

Rhythmic figures!

...always, with Permission when necessary!

...my New Music

Composition and Variation Techniques

Maintain and Further Tradition,

Ancient Greek Music and Dance

from Pitch and Rhythmic figures

of the Ancient Greek Poetic Feet,

most, approximately all,

of our Rhythmic Figures

in Music these days

of the Ancient Greek Poetic Feet,

classic -/ "Classical" -/ contemporary

Time Signature-/s,

Rhythm,

Rhythmic Pulse-/s,

Rhythms, Rhythmic Sequence-/s,

Rhythmic Figure-/s,

Dynamic Rhythmic Phrasing-/s,

every one- and number of the above

of -/ for -/ from

before -/ during -/ after

within

every one -/ number of the above

individually -/ sequentially,

as of -/ for -/ from

Pitch-/es from letter-/s -/ syllable/s -/ word-/s,

individually -/ combined

for -/ from line-/s of a Poem

Poems

a Writing

Writing-/s,

low Pitch-/es for long/er length/s

duration/s / value/s

for meter-/s / metre-/s,

as for -/ from Note length-/s
/

duration/s / value/s,

high Pitch-/es for short/er,

low Pitch-/es for long/er

meter/s / metre/s,

as of / for / from

articulation/s during

immediately after articulation/s

appropriate of / for articulation/s

time between

Music Notes,

to say the least,

for every one -/ number of the above

Proportion-/s of the Music Notes,

to say the least,

for every one -/ number of the above,

as for -/ from Pitch-/es -/ length-/s

for -/ from Stanza-/s -/ Paragraph-/s

for -/ from

first -/ final, definitive Text-/s Edition-/s

for -/ from a Writing -/ number of Writings,

for up to- and including

New Music Compositions

New Music Variations

New Music Compositions

of -/ from New Music Variations!

...always, with Permission when necessary!

...my New Music

Composition and Variation Techniques

New Music Progressions, Sequences,

Melodies,

Chord forms,

Chord Progression/s of same Chord form/s

as the full harmonization/s of

a Melody / Melodies

Chord Progression/s

of the same Chord form/s

of -/ between the same Octave

multiple Octaves

Chords / Chord forms

of Change

Changing -/ Changes

of Combination-/s of the Octave-/s

Compositions of the Combination-/s

of the Octave-/s

Pitch-/es of a Melody

Pitch-/es of the Melodies

of / between the same Octave

multiple Octaves

in up to- and including every combination

Change

Changing -/ Changes

of Composition-/s

of Combinations

of up to- and including all of the Octaves,

of -/ for -/ from Pitch-/es

Chord-/s -/ Chord form-/s

of Chord Progression-/s

12-Tone Transposition/s

of first Pitches,

for the complete Transposition/s,

of every one -/ number of the following

of the same -/ other-/s

to -/ from the first Pitches

of -/ from all of the consecutive Pitches,

of the same -/ other-/s

of -/ for -/ from every one -/ number of

Scale-/s

Scale Run-/s

Mode-/s

Melody,

Transposition/s of a Melody

number of Melodies

Harmony -/ Harmonies

Chord Progression-/s

Glissando / Pitch bend / Slide / Glide,

to Transpose

the Glissando / Pitch bend / Slide / Glide

Lick-/s -/ Riff-/s

Hook-/s

Music Composition Section-/s

Movement-/s,

to say the least,

for up to- and including

New Music Compositions

New Music Variations

New Music Compositions

from 100% New Music Variations,

up to- and including

every one -/ number of the above

Transposed of -/ for -/ from

every Octave -/ Octave combination

to -/ from up to- and including

all of the other Octave-/s individually

all of the Octave combination-/s

multiple Combination-/s

of the Octave-/s of the Octave-/s

all of the combinations

of the multiple Octaves,

for up to- and including

all of the Intervals of / for all of the Pitches,

and for all of the Octaves

of 100% Perfect Proportion,

Temperament,

and Tune

with -/ of -/ for my New Music

my Tuning / Transposition,

including the Tuning Transpositions,

with my Exact Temperament Tune A = 384!

...always, with Permission when necessary!

...my New Music

Composition and Variation Techniques

My New Music Exact Temperament

Tuning A = 384

and

Transpositions of A = 384,

Transpositions / Tunings,

and

New Articulations

New Performance Techniques,

New Multiple Performance Techniques,

for

Music Pitches

Music Notes,

Rhythmic -/ Pitch Articulation-/s of Pitches

Performance Techniques

Musical Ornaments

Riffs

Licks

of -/ for

Hooks

Scales,

Scale Runs

Modes

Melodies

Chord Progressions

Harmonies

Phrases -/ Sections

Segues

Movements

Compositions

Variations

Compositions of Variations,

Progression-/s -/ Sequence-/s

of the same Chord form-/s

for full harmonization of the Pitches,

Root / Fundamental Pitches

of the Chord form-/s

for

New Music Phrases -/ Hooks...

Melodies

Chord Slides -/ Chord Progressions

Harmonies

for Progressions to -/ from one to another,

with Music Scale-/s

Music Mode-/s,

Ancient Greek Music Modes

for

Scale Runs of Glissandos -/ Glide-/s -/ Slides

of Pitch to same Pitch in another Octave,

Pitches of the Pitch Classes,

to Articulate Glissandos -/ Glides -/ Slides

of the Pitch-/es of

Riffs -/ Licks

Melodies

Chord-/s

Chord form-/s

Arpeggio-/s

of the Music Scale-/s -/ Chord-/s

Chord form-/s

Chord Progression-/s

Harmony -/ Harmonies

Phrases -/ Hooks -/ Sections

Segues

Movements

Compositions

Variations

Compositions of Variations,

and, New Music

Articulation-/s -/ Multiple Articulation-/s

of all of the other Articulations

Multiple Articulations,

too,

with up to- and including

every one -/ number of all of the Articulations

Multiple Articulations

Musical Ornaments

of -/ for

Music, New Music

for

Articulation-/s of Music, New Music!

...always, with Permission when necessary!

...my New Music

Composition and Variation Techniques

My Exact Temperament Tuning A = 384

My New Music Ornament,

of Multiple Articulations,

Arpeggio up of Chord Tones,

Major Triad Chord form,

of shimmering Marcatos/Tremolos

of the Chord Tones,

Arpeggio of the Chord Tones

as fast as Flutters,

fastest Glissandos,

Transposed

to all of the higher consecutive 12 Tones

to one Octave above,

Arpeggio up, of the 12-Tone Scale,

to the Root/Fundamental Pitch of the Chord

of the Octave above,

as fast as Flutters,

fastest Glissandos,

two consecutive Pitches

of the same Pitch Class,

for 7-Tone Scale Tone Transpositions

of consecutive Pitches,

for Music, New Music Melodies,

the New Music Ornament

of Arpeggios detached

for Music Notes of a slow Melody

as an introduction

for a New Music "Classical" Composition!

...always, with Permission when necessary!

...my New Music Ornament,

the Major Chord form

Marcato Articulations

and Tremolo Articulations

at the same Time,

the Chord Arpeggio up

Transposed

12 12-Tone Scale Tones,

Arpeggio up of the 12-Tone Scale,

to the Root/Fundamental Pitch of the Chord

of the Octave above,

to Transpose,

the Ornament detached,

to Articulate the Music Notes,

detached Music Notes for slow Melodies

in soft and slow Crescendos, Decrescendos,

to compose introductions

for

New Music

"Classical" Music

Compositions!

...always, with Permission when necessary!

...my New Music

Composition and Variation Techniques

Progression-/s -/ Sequence-/s

the Individual Articulations

Multiple Articulations

Changes -/ Changing

of the Individual Articulations

Multiple Articulations,

many Articulations at the same Time

of -/ from up to- and including

whole musical instrument sections

of Orchestra

musical instrument families,

Changes -/ Changing of the Articulation-/s

with Sequence-/s up to- and including Glissando- to Flutter-fast

sequential changes as fast as

Chord Interpolations,

Change-/s of Chord Tone-/s,

Change-/s of Chord form-/s,

as fast as Slides with finger-/s

valve-/s of musical instruments

smoothest Slides, Glides

of the Individual Articulations

dynamic Fading for / from Articulation-/s

up to- and including fastest

dynamic volume of sound decrescendo

from one Articulation -/ Multiple Articulation

to dynamic volume of sound crescendo

to another Articulation

Multiple Articulation

another Articulation -/ Multiple Articulation, to say the least,

for sequence-/s of Articulation-/s

Multiple Articulation-/s

in fastest -/ smoothest

decrescendos / crescendos

for Changes of Articulation-/s

Multiple Articulation-/s

of the Music Notes -/ Chords

Chord form-/s,

of -/ for

Melodies

Individual Pitches, Tones,

for Pitches of the Chords,

Chord form-/s

of Chord Progression-/s,

for up to- and including

New Music Compositions,

New Music Variations,

New Music Compositions

from 100% New Music Variations!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My Exact Temperament Tuning A = 384,

including the Transposition Tunings

with A = 384,

New Music Ornaments

from classic -/ "Classical" Music Ornaments

of lower Pitches / upper Pitches,

Pitches -/ multiple Pitches at the same Time

of the same Pitch Classes,

Pitches of the same Pitch Classes

of the same Pitches

of / from all of the Octaves,

for Music, New Music

with up to- and including

Tempos of the Arpeggios

of the Pitches of the Octaves

faster than Flutters for Pitch Cycles,

for Aggregate Pitches,

for Aggregate / Average Tunings

of / for Pitches,

for Progressions -/ Sequences

of Pitches -/ Chord forms

two Pitches,

low Pitch / high Pitch

of the Intervals of the overlapping Intervals

of the Pitches of the Major / Minor Triad Chord form

of the Major / Minor Triad Chords

for -/ from every one -/ number

of Chord forms

of the Major / Minor Triad Chord form

of the Major / Minor Triad Chords,

Tones/Pitches

of / for Fundamental/Root Pitches/Tones

of / for 7-Tone and 12-Tone Scales

Fundamental/Root Pitches/Tones of Chords,

of / for arpeggios of the Scales -/ Chords, too

two Pitches/Tones from Intervals

of the overlapping Intervals of Chord forms

of the Major / Minor Chord form

of the Major / Minor Chords,

of two Pitches of the Intervals

of / from overlapping Intervals

of Major / Minor Triad Chords,

Intervals of two Pitches

of the Major / Minor Triad Chords

Chord forms, nevertheless,

with Root/Fundamental Pitches/Tones

of the Chords

for low Pitches,

and a Chord Tone higher,

of the overlapping Intervals within Chords,

of the Chord forms of the Chords

for -/ from Music, New Music

Melodies,

Pitches of the Melodies

for Fundamental/Root Pitches

of the Chord forms of the Chords,

Pitches of the Melodies with added Tones above,

the higher Tones of the Chord forms

of the Chords,

to Compose Chord Progressions

Harmonies,

Melodies,

of Fundamental/Root Pitches/Tones

of the Chord forms of Chords

of -/ for Chord Progressions -/ Harmonies,

with my New Music Exact Temperament

Tuning A = 384,

and the Transpositions / Tunings,

all of the Intervals of all of the Pitches

and all of the Octaves

in Proportion, Temperament, and Tune,

all of the frequencies whole numbers

with no fractional amounts,

the 12-Tone Transpositions of -/ for same

Pitch -/ Aggregate -/ Average Pitch

Fundamental/Root Chord Tone/s

of / for / from the Major / Minor Triad Chord form

to all of the Pitches of -/ for a Melody

sequence of Melodies

sound the exact sound of the Melody

Melodies,

for / from the three Pitches at the same Time

with Pitch levels

of the 7-Tone Scale of the 12-Tone Scale

of the Exact Proportion,

Temperament, and Tune A = 384,

and

the Transposition/s / Tuning/s with A = 384,

for up to- and including

New Music Compositions,

New Music Variations,

and New Music Compositions

of 100% New Music Variations!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

with my New Music Exact Temperament

Tuning A = 384

and Transposition Tunings of A = 384

with 100% Proportion of all of the Intervals

of all of the Pitches and Octaves

from the tuning of all of the Pitches

of frequencies of whole numbers,

no fractional amounts

New Articulations

of / for
Music Scales, Ancient Greek Modes,
Melodies -/ Harmonies,
Chord forms of Chords,

Pitches of the Intervals

of the overlapping Intervals of Chords,

Chord forms,

as / for

Arpeggios of the Scale-/s, as Scale Runs,

Arpeggios

of up to- and including all of the Pitches

for -/ from a Melody -/ Melodies,

for -/ from a Melody -/ Melodies

for -/ from Fundamental/Root Pitches

of the Chord forms of the Chords

for -/ from Chord Progressions

Harmonies,

Arpeggios of the Pitches

Intervals -/ Chords

for -/ from the Tempos of

Glissandos, Flutters,

for New Music Riffs -/ sequences of Riffs,

and,

New Music Aggregate -/ Average Pitches,

New Music Pitch Cycles,

of all of the Pitches -/ Intervals -/ Chords

of the Scales,

Modes, Ancient Greek Modes,

for -/ from Chord forms of Chords

Melodies

Harmonies

articulated in sequences as fast as Flutters, Strums

articulated at the same Time,

the 7 Tones of the 7-Tone Scales,

Ancient Greek Modes,

at the same Time,

of / between Octave-/s,

the sound for mystery/horror/suspense Cadences

from individual Articulations

multiple Articulations

of Strings,

Marcato/Tremolo,

Arco/Tremolo,

and all of the others,

and many New Music Multiple Articulations,

New Music Multiple Articulations

with all of the Pizzicato Articulations

as Tone Articulations,

for a New Music Repertoire

with all of the Articulations

with Pizzicato Articulations,

New Music Music Multiple Articulations

with Pizzicato/Tremolos,

with all of the other Articulations

and

other Multiple Articulations, too,

New Music Multiple Articulations,

from all of the Articulations

and

Multiple Articulations,

and,

many more effects

with appropriate dynamic levels

of volume of sound

of the individual Pitches of all of the Pitches

of the individual 7-Tone Music Scales

for sound of Aggregate -/ Average Pitches,

as Pitch Cycles,

Intervals, Chords,

as appropriate of / for / from Sound-/s

of -/ for -/ from individual Melodies

of the Pitches

of the individual 7-Tone Music Scales

for sound-/s of -/ for -/ from

New Music Chord forms,

as / for

Music, New Music Cadences

for up to- and including

New Music Compositions

New Music Variations

New Music Compositions

from 100% New Music Variations!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

A = 384

The I - IV - V Chord Progression,

the I, IV, and V Chord Tones

louder within all of the 7-Tone Scale Tones

at the same Time!

...my New Music

Theory and Composition

Composition and Variation Techniques

"Classic" Triad Chord Arpeggios Cadence

of Arpeggios Down,

Fundamental/Root Chord Tone

of the Triad Transposed

to the 7-Tone Scale/Mode Increments

The Hallelujah Chorus,

and for a "Classical" Music Cadence

of the arpeggio down of THE 7-Tone Scale,

Mode,

and another Scale/Mode Increment down,

then up to THE Chord Tone

AND

THE Scale/Mode Tone

first Increment

for a "classic", "Classical" Cadence Close,

up-down Arpeggio of the Chord 1 and 3 Tones

AND Scale/Mode I and iii Tones,

appropriate Tempo

for 100% audible Music Cadences,

as for Music

with Music Ornaments -/ Flourishes

Riffs

Phrases -/ Hooks

Melodies

Chord Progressions

Harmonies

Segues

Sections -/ Movements

Compositions -/ Variations

within every one -/ number of the above!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Arpeggios

of the Tones of Scales, of Scale Runs, too,

Modes,

Riffs,

Phrases,

Hooks,

Melodies,

Chords, Chord forms,

Chord Progressions,

Harmonies,

Segues,

Sections, Movements,

Compositions -/ Variations

with Flutters of the individual Tones

of -/ between the Octaves

multiple Octaves,

Arpeggios

of the Flutters

of the Tones of Scales -/ Chords

of -/ between Octaves -/ multiple Octaves,

the Arpeggios of the Flutters

of the Pitches of the Pitch Classes!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

Common, Popular Chord Progressions

of the exact, 12-Tone, same Chord form/s,

Chord forms of Chord of the exact, 12-Tone,

same overlapping Intervals

of / between Chord Tones

Transposed in 12-Tone Scale

for 7-Tone Scales/Modes,

Ancient Greek Modes,

Chord accompaniments,

Chord Progressions, Harmonies,

from every consecutive Pitch

of THE Music,

New Music Exact Temperament,

Tuning A = 384

and Transposition Tunings of A = 384,

of / for Scales / Modes, Ancient Greek Modes,

musical Ornaments,

musical Flourishes

of Slides/Glissandos of Pitches

to -/ from other Pitches, as appropriate,

Riffs,

Hooks,

Phrases,

Melodies,

with consecutive individual Pitches

for Fundamental/Root Pitches, Tones

every one -/ number of other

of the individual Chord Tones,

for -/ from Arpeggios

Scales/Modes, Ancient Greek Modes

musical Ornaments

musical Flourishes

of Slides/Glissandos of Pitches

to -/ from other Pitches, as appropriate

Riffs

Hooks

Phrases

Chords

other Chord forms of the Chord-/s,

as appropriate

Melodies

Chord accompaniments

Chord Progressions -/ Harmonies

Pitches of the Melodies,

Melodies

to -/ from Chord accompaniments

Chord Progressions -/ Harmonies

as described above,

up to- and including

all of the individual Pitches of all of the above

of the Arpeggios,

Slides/Glissandos

Glissandos as fast as Flutters,

of / between the same Pitches

of the Octave-/s

multiple Octaves,

the Pitches of the same Pitch Classes,

of -/ for

Segues

Sections -/ Movements

of the Music Compositions

Segues

to -/ from -/ of -/ for

Sections -/ Movements

of the Music Compositions

of -/ for

Music, New Music

Compositions -/ Variations!

...my New Music

Theory and Composition

Composition and Variation Techniques

Variation

Interpretation

Interpretations as Variations

New Music Rhythmic Variation Techniques

for Music Note Lengths/Durations/Values,

and for Proportions of the Music Notes,

with classic -/ "Classical" -/ contemporary

Rhythmic figures

of -/ for -/ from

all of the common Rhythmic figures,

and of / for Rhythmic Dynamic Phrasing,

and of / for Lengths/Durations/Values

of Music Notes from Time Signatures

Maintain and Further Tradition

for

Music of the same Rhythmic figure/s

with Changes

of the Note Durations/Lengths/Values

of the same Rhythmic figure/s

with Music Note-/s transposed

for various level-/s of Pitch-/es

in the 12-Tone Scale

to the Increment-/s of a Music Scale,

as of for a Melody -/ sequence-/s of Melodies

transposed, in the 12-Tone Scale,

to all of the consecutive Pitches of a Melody

Hook

Phrase,

to say the least,

of -/ for dramatic effect

of Change-/s of Tempo-/s,

with Interpretation-/s

of the Durations/Lengths/Values

of the Music Notes

Proportions of the Music Notes

of Rhythmic figure-/s

for -/ from every one -/ number

of other Durations/Lengths/Values

of Music Notes

of Rhythmic figures as musically appropriate,

including

Proportion-/s

of the Durations/Lengths/Values

of Music Notes

of Rhythmic figure-/s,

as of written 4/4 Common Time

Music Time Signature

with quarter Notes Interpreted,

counted -/ played

as 4/3, or 4/5, or 4/7, or 4/9, to say the least,

3rd Notes of the same duration,

or 5th Notes of the same duration,

or 7th Notes of the same duration,

or 9th Notes of the same duration,

up to- and including

all Music Note Durations/Lengths/Values

as musically appropriate of Tempo-/s

Changing Tempo-/s

Change-/s of Tempo-/s

as musically appropriate

as of -/ for

Music Scales/Modes, Ancient Greek Modes

Phrases -/ Hooks

Segues

Sections -/ Movements

Compositions -/ Variations,

and, for musically appropriate Change-/s

from every one -/ number of the above,

to say the least,

as for / from a Melody

for a Segue

to a Closing Cadence

for a Music Composition Movement,

or a Finale of a Music Composition

with harmonization of full Orchestra,

harmonization

of all of the appropriate Pitches

of all of the Octaves

of the Pitch Ranges

of the musical Instruments

of the full Orchestral sections

with classic, "Classical", contemporary

beautiful, slow Arpeggios

of / between the 3rd- and 5th Chord Tones

of a Triad, a Chord form of the Triad,

the sound of the Triad

appropriate to sound Chord Progressions, Harmonizations,

Chord accompaniments, Harmonies,

as of the 3rd and 5th Tones

from above Pitches of a Melody

sequence-/s of Melodies,

the Pitches of a Melody

sequence-/s of Melodies

as the Fundamental/Root Pitches

of the same Interval/Chord form of the Triad transposed,

the fast Arco up arpeggio of the 3rd to 5th,

so lyrical,

with faster classic, "Classical", contemporary Crescendo/s of Arco articulations

of the 3rd and 5th,

for Arpeggios of -/ between the 3rd and 5th,

the Arpeggios of Crescendo/Arco articulations

finished very fast,

as fast as fast-fastest Tremolos of arpeggiations

as Fermatas

musically appropriate for Performance

of the Arpeggios of the 3rd and 5th Interval,

Chord form of the Triad,

as a Chord Progression

Chord accompaniment

Harmonization -/ Harmony,

the 3rd and 5th Chord Tones of the Triad

above all of the consecutive pitches

of a Melody -/ sequence-/s of Melodies

for Progression-/s of the consecutive pitches

of the Melody

sequence-/s of Melodies

are the Fundamental/Root pitches of the Triad,

the Fundamental/Root pitches of the Triad

omitted for sequences

of the 3rd/5th Interval/Chord form

of the Triad, 135,

the 1-, 3-, and 5 Tones of 7-Tone Scale/s,

for musically appropriate 12-Tone

Transposition/s

of the same Triad/Triad Chord form

in the 7-Tone Scales/Modes,

Ancient Greek Modes,

to -/ for -/ from

all of the consecutive pitches of a Melody

sequence-/s of Melodies!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

New Music Articulation Techniques,

New Music Multiple Articulations

New Music Pitch Articulations

New Music Tone Articulations

New Articulations with fingertips as Plectra,

for all of the Pizzicato articulations,

as for Picking -/ Plucking,

wear 100% Silk -/ Leather gloves,

Silk glove on one hand,

Leather glove on the other hand

wear gloves of other materials for effect,

gloves thin enough

for Performance with musical instruments,

Percussion with fingers -/ hands,

Strings,

Winds,

use nylon brushes for percussion instruments

for 100% effect of multiple blows

for Strings

multiple short-to-long articulations

of all of the articulations of arco bowings

for 100% effect of multiple bows

articulation/s of flutters,

from softest- to loudest,

for articulation/s of Pitches

Intervals -/ Chords

Melodies

Harmonizations

Chord accompaniments

Chord Progressions

Harmonies

Segues

Riffs

Phrases -/ Hooks

Sections -/ Movements

Compositions -/ Variations,

Crescendo Arco Tremolo/s Glissandos,

Crescendo Pitches -/ Intervals -/ Chords

in -/ with Arpeggios / Glissandos, Portamentos -/

Flutters,

Reverb. setting-/s for effect of Slides -/ Glides

Slides -/ Glides

of Arpeggios / Glissandos of the Pitches

of the Scales -/ Chord forms

Arpeggios / Glissandos of Slides -/ Glides

Arpeggios / Glissandos

of Slides -/ Glides

finished with a Tremolo

Arpeggios / Glissandos

of Arpeggios,

of the Slides -/ Glides -/ Arpeggios

of the Scales

of the Slides -/ Glides -/ Arpeggios

of the Chord forms

flutters, with nylon brushes

faster than the Arpeggios

Portamentos -/ Glissandos -/ Slides, Glides

of the Pitches

Intervals -/ Chord forms

Scales,

up to- and including

Tempos as fast as Flutters,

of / for all of the consecutive Pitches

of the Scale-/s -/ Mode-/s,

Modes of the Ancient Greek Modes

a Melody -/ sequence-/s of Melodies,

to say the least!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

The Chorus

with 7-Tone Scale,

145 Chords of the 12-Tone Scale

for Bell accompaniment!

...my New Music

Theory and Composition

Composition and Variation Techniques

12-Tone Music and 7-Tone Music

at the same Time

with- and of my Exact Temperament

Tuning A = 384

for -/ from

New Music Compositions -/ Variations,

for -/ from Music Compositions -/ Variations,

for Full, Complete, Serious, Formal Music

Tune, Tone, Sound,

for -/ from the Full Orchestral Versions

of the Sound of Music of the 7-Tone Scale, with appropriate Tempos

for / from

Intervals

Pitches -/ Intervals -/ Chord forms

Progressions

Sequences

for-/ from 7-Tone Scale-

and 7-Tone Scale Transpositions/Keys

for -/ from Pitches -/ Intervals -/ Chord forms

Progressions

Sequences

of the 12-Tone Scale-

and 12-Tone Scale Transpositions/Keys,

for -/ from

Intervals

for -/ from Pitches -/ Intervals -/ Chord forms
for -/ from Scales -/ Chords,

full effect of ambiences

of / for Music Tones from musical Instruments

and Indoor -/ Outdoor Venues,

in addition to full effect of ambiences

of / for Music Tones from musical Instruments

and Indoor -/ Outdoor Venues

from appropriate Reverb. setting-/s,

as for -/ from the 7-Tone Scale

I - IV - V Chord Progression

of the I, IV, and V 7-Tone Scale Tones!

...always, with Permission when necessary!

...and,

Awesome Tone Variations of / for Music,

of / for Music Tuning-/s,

for Introductions

Segues,

as for -/ from Segues to -/ from Movements

Finales!

Maintain and Further Tradition,

Transpose / Tune

for Tone/Mode

for / from Mood,

as of the Ancient Greeks

for Music Modes for / from Moods,

for / from Ancient Greek Poetry

for / from Recitatives,

for / from Songs,

for / from Cadences,

for / from Processionals,

and for / from Recessionals,

for / from Music for / from events

for / from individuals,

and for / from events of Cities-States

of the Ancient Greeks!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

The Chorus

Cadence,

and for Introductions, Segues, Endings!

New Music

2024

...my New Music

Theory and Composition

Composition and Variation Techniques

New Music Compositions -/ Variations

with 12-Tone

Octave-to-Octave New Music Ornaments,

Arpeggios, Runs, Tremolos, Trills, Flutters

Glissandos, Glisses, Fermatas, Riffs, Hooks,

Segues,

as for Segues

for

Introduction-/s -/ Sections -/ Movements

Finales

with all of the consecutive Pitches

for / from Melodies and Themes,

12-Tone Arpeggios Up

of Octave-to-Octave Glissandos,

12-Tone Music and 7-Tone Music

at the same Time!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

Music, New Music Orchestration,

Sequence/s of Multiple Music Articulations,

Tempo-/s of -/ to -/ for -/ from Flutters

of all of the consecutive articulations

of the Pitches

of the Chorister-/s -/ Choir section-/s

Choir

musical Instruments

of up to fastest

Crescendo-/s -/ Decrecendo-/s,

Crescendo-/s

for up to -/ after

the first half of the Music Note Length/s

Duration/s / Value/s,
then to finish

Music Note Length/s / Duration/s / Value/s

in Decrescendo-/s,

of -/ for -/ from

all of the consecutive Pitches

of Music Melodies, musical Themes,

for full Expression-/s of Music,

Music Composition-/s -/ Variation-/s

Tone-/s -/ Mode-/s,

Ancient Greek Modes from Moods

Mood-/s,

as for Changes of Music Mode-/s/Mood-/s

of -/ for -/ from Segue-/s -/ Orchestration-/s

as appropriate to complete the Composition-/s,

with some -/ individual

musical Instrument-/s

Choir articulation-/s

of the Music Orchestration-/s

Transposition/s -/ Tuning-/s,

with up to- and including 100% Reverb. setting-/s,

for smoothest Music articulations

and sequences

of the multiple -/ individual articulations

of the individual -/ multiple articulations

of the musical Instrument-/s

Choir articulation-/s,

as of the same Choir articulation-/s

musical Instrument-/s

from one Octave to another -/ others,

with up to- and including Tempo-/s

as fast as Flutters

for up to- and including

Repertoires -/ Variations

of Music, New Music Orchestration-/s

for up to- and including

Music, New Music

Compositions -/ Variations,

to complete the Music Mood-/s -/ Mode-/s

for

Music Composition-/s -/ Variations

for up to- and including

Music, New Music

Compositions -/ Variations,

as with all of the Pitches of The Chorus

with Pipe Organ

Choir aah

Symphonic Chimes

Orchestra Bells,

of -/ for -/from softest, smoothest Segues

of all of the Pitches of The Chorus

of Orchestra Bells -/ Choristers!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

New Music Compositions -/ Variations

A = 384

with

New Music Orchestrations

now with over 12

Instruments/Instrument Sections/Choir aah

for Factorial Products of the over 12

Instruments/Instrument Sections/Choir aah,

including all of the Factorial Products

of the most musical sounding Combinations

of the over 12

Instruments/Instrument Sections/Choir aah,

for Variety -/ Variation

with over Factorial Product 12!

of the Orchestration of the over 12

Instruments-/Instrument Sections/Choir aah

for New Music Progressions -/ Sequences

of the Orchestration

Orchestrations of the Orchestration

Changing -/ Changes of the Orchestration-/s,

as during the longer articulations

of the Pitches,

of the New Music Orchestration/s

for every consecutive Pitch,

including Pitches of the Pitch Classes,

Pitches in multiple Octaves at the same Time,

as appropriate for most musical Sound

of all of the consecutive Pitches

of Music Melodies, Themes,

as of / for Music, New Music

Cadences

Arpeggios,

Glissandos, Flutters

Music, New Music Ornaments

Segues

Introductions -/ Development -/ Endings

Sections -/ Movements

Compositions -/ Variations!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

All of the consecutive Pitches

of -/ for -/ from

Music Melodies -/ Hooks -/ Themes

as -/ of -/ for -/ from

Music Cadences -/ Segues

as -/ of -/ for -/ from

Introductions -/ Development -/ Endings

as with individual musical Instruments

individual Chorister articulations

full Orchestral sections of musical Instruments,

Percussion

with Pianoforte, Fortepiano,

Brass,

Strings

with Harp

and

Steel-string Concert / Classical Guitar,

Woodwinds,

Winds

Choir articulations,

New Music dynamic blends

of the Instrument-/s -/ Choir articulation-/s

for full effect/s
of New Musical Instruments

Chorister -/ Choir articulations

New Music

with 100% audible, and 100% intact, Pitch/es

of audibly transparent Echoes of Sound/s

100% audible, and 100% intact,

with up to 100% Reverb. Setting-/s

for Music, New Music

Compositions -/ Variations

musical accents for Pitches,

as of Echoes of concert bells

of 100% audible, 100% intact, Sound/s

for articulation-/s of the same Pitches

of the lower Octaves as accents, of a Chorister

Chorister-/s

Choir-/s,

Choirs, of combined Choirs

Performance -/ Composition

for 100% audible, 100% intact Pitches

with Phases/Cycles of Changes

of Composition,

Changes,

as fast as Flutters -/ Pitch Cycles,

of various and varying Pitch Combinations

as fast as Flutters -/ Pitch Cycles,

from Octave Combinations

as Pitch ambience as Pitch accents,

for / from Mood-/s / Mode-/s,

Ancient Greek Modes

of / for all of the consecutive Music Pitches

Chord forms -/ Intervals

for articulation/s

of the same -/ other Pitches

of the same -/ other Octave-/s

for / from the same -/ other-/s

of the musical Instrument-/s
-/

Chorister-/s

Music, New Music Venues

for / from Moods, Mixed Moods,

New Moods,

New Mixed Moods,

New Mixed New Moods,

Melodies -/ Hooks -/ Themes

as fast as Flutters

for New Music Ornaments

New Music Cadences -/ Segues,

Melodies -/ Hooks -/ Themes

as fast as Pitch Cycles

for New Music Scale-/s

Average / Aggregate Pitch/es,

as of the dynamic Blends

of the same Pitches of the Pitch Classes,

same Pitches of the multiple Octaves

Changing -/ Changes -/ Change

of the Composition-/s

of the Octave Combinations

of the same Pitches,

Pitches of the same Pitch Classes,

for Music, New Music

Melodies, Hooks, Themes, to say the least

Variations of Melodies, Hooks, Themes,

to say the least,

as / of up to- and including 100% Reverb. Setting-/s

for 100% audible,

and 100% intact,

Pitches,

as of the 100% audible,

and 100% intact,

Echoes

of outdoors,

as from Valleys, from within Canyons,

one Echo,

not multiple Echoes in a Decrescendo,

of every sound,

as of / for outdoor Venues

as Venues of / for musical Instrument-/s

musical Voices of the Chorister-/s

of -/ for -/ from

Music, New Music

Compositions -/ Variations!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

New Music Aggregate / Average Pitches

with New Music Note Compositions

Music, New Music

up to- and including

New Music Compositions

New Music Variations

New Music Exact Temperament Tuning

A = 384,

Transpositions as Tunings

to / from A = 384

for up to- and including A = 256,

A = 256 Tuning

the Tuning

from Pythagoras

for his monochord musical Instrument,

for

New Music Pitch Articulations

New Music Note Articulations

New Music Pitches

with New Music Aggregate / Average Pitches

with

Sequences of the Combinations of the Octaves

of the same Pitches,

Pitches of the same Pitch Classes,

as fast as individual Pitches, Notes,

with up to- and beyond 256th Notes

as fast as Flutters, and faster for Pitch Cycles,

as / for New Music articulation-/s,

articulation/s

for individual New Music Pitches, Notes

Maintain and Further Tradition

of Pitch interpolation,

and fastest Pitch interpolation,

for Arpeggios as fast as Glissandos,

Flutters,

and Pitch Cycles

of the Octave combinations

of the same Pitch/es,

Pitch/es of the same Pitch Class/es,

for up to- and including

100% effect of bending Pitch/es,

as arpeggios to fully effect the Changes

of the combinations of the same Pitches

of the Octaves,

the same Pitches of the same Pitch Classes,

as / for most audible Pitch bending

of the Pitches

of fast-to-fastest New Music Sequences

of the Octave Combinations

of the same Pitches,

Pitches of the same Pitch Classes,

from within up to- and beyond 7 full Octaves!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music

Exact Temperament A = 384,

with Transpositions to- and from A = 384

as Transpositions / Tunings

The Chorus

Symphonic Chimes, Cathedral Bells,

Carillon as of a Country Church House

in a Meadow,

Orchestra Bells,

Orchestra Bells as fast as a Flutter,

a Bell Ringing, Bell Ringings,

Ringing Sets of Bells,

a Strum,

for a New Music Ornament,

as of my New Music Compositions

of 100% of my New Music Variations

with fingers on all of the Strings

of all of the Pitches

of a Melody

consecutive Melodies

Theme -/ consecutive Themes,

Pull -/ Pluck -/ Pick

the Strings

from Harp -/ Steel string Guitar

as fast as Glissandos, Flutters, Riffs, Strums

for Music of all of the consecutive Pitches

as fast as Glissandos, Flutters, Riffs, Strums

of a Melody -/ consecutive Melodies

Theme-/s,

appropriate 12-Tone Transpositions

of the Tempos of

Glissandos, Flutters, Riffs, Strums,

and Pitch Cycle/s

of a Melody -/ Melodies -/ Theme-/s

to end on the last Note-/s

of a Melody

consecutive Melodies

Theme-/s

for all of the consecutive Pitches

for -/ from the same -/ another Melody

same -/ other consecutive Melodies

same -/ another Theme

same -/ other Music, New Music Themes

in a Sequence!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

Exact Temperament A = 384

and Transpositions / Tunings

of A = 384

for all of the other Pitches

of the 12-Tone Octave/s

Melody -/ Melodies

Music Theme-/s

in Tempos for Pitch Cycle-/s,

as of the Popular, Common Music Composition

Technique, Tradition,

Melodies, Hooks, Themes

of -/ with up to four Pitches,

for New Music Soundwaves

of up to four sections,

longer Music Melodies, Hooks, Themes, too,

for New Music Soundwaves

of over four sections,

from Pitch of a Pitch Cycle,

and for New Music Pitches

of the Pitch Cycle/s,

New Music Scales

for same -/ other

Music Melodies -/ Hooks -/ Themes

Compositions -/ Variations

Compositions of Variations,

as of -/ for -/ from

all of the appropriate 12-Tone Transpositions!

...always, with Permission when necessary!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music

Exact Temperament A = 384

...always, with Permission when necessary!

...my New Music

New Articulations,

New Performance Techniques

for Pitch, Tone, and Overtone

for Harp, wear 100% Silk gloves

for a New Music repertoire

of performance techniques

of fingertip arco articulations!